Jonathan Houser is Head of Finder Sted / Taking Place – the Bachelor’s program at the Institute of Architecture and Culture at the Royal Danish Academy.
Over the past 10 years, Jonathan has been deeply engaged with the artistic and poetic potential of absolute sustainability and humanity’s coexistence with other species. In this context, the following projects are particularly noteworthy: the realized project The Moth House (Natsværmerhuset), the second prize proposal for storm surge protection in Vejle – While We Wait for the Water (Mens Vi Venter på Vandet), and the ongoing artistic development project Infinity City, which also includes the manifesto Towards an Oceanic Architecture (Mod en oceanisk arkitektur).
Jonathan has thus worked extensively with exhibitions, including exhibiting his own works, such as The Search, which was shown at Louisiana Museum’s exhibition The Moon (Månen), as well as with written dissemination through his own practice and through his position at the Royal Danish Academy.
Through the project Miniatura, a hybrid museum built at a 1:10 scale, whose exhibitions were presented online from 2021–2023, Jonathan has worked with curation and focus on emerging artists, including collaboration with Spacegirls.
His work with museum architecture has also influenced his assignments as an architect at Lundgaard & Tranberg, where Jonathan was responsible for the winning proposal for the Museum of Danish Resistance (Frihedsmuseet) and was part of the studio’s design team for the Natural History Museum of Denmark (Statens Naturhistoriske Museum).
JONATHAN HOUSER
Biography >
Jävla Kritiker, Group exhibition, Oslo, 2020
Model experiments in an ongoing series of three created in a dialogue with the text "Et hus a vandre i" and its author Mari Hvattum.
Mari Hvattum:
“Dette huset skal egentlig ikke sees, men gåes.Det gir seg selv, egentlig, for huset er nesten usynlig, skåret inn i et hjørne ved enden av en blindgate.”
“Kære Mari
Tak for din tekst om et hus at vandre i.
Mit bidrag er en personlig og poetisk skrålæsning af din tekst. Således skabt med afsæt i både intuition og agenda – ligesom arkitekturkritikeren, der vel aldrig kan være helt objektiv, men nødvendigvis må gå til opgaven som både sansende legeme og fagligt intellekt.
Jeg har hæftet mig ved dine associationer til Loos´ Muller House og Caruso st. Johns “brick house”. Huse som i højere grad er inderside end yderside. Derfor tager formgivningen udgangspunkt i idéen om et indre forløb af sammenvævede delvist nedgravede og flydende rum.
Formgivningen er tænkt som en eksperimentel proces i tre dele – tre modelforsøg (#01 Oslo, #02 Stockholm, #03 København) skabt indenfor de samme rammer og hver især tilnærmelser til det værk som du har beskrevet.
Sammen med nærværende tekst følger det første af tre forsøg som jeg vil bede dig om at forholde dig til på følgende måde:
Korrespondancen som hermed er sat i søen skal senere fungere som ledsager til udstillingerne i Stockholm og København.
Jeg har vedlagt en skitse så du kan få et billede af min udstillingsidé.
Kærlig hilsen
Jonathan Houser”